In Shakespeare’s play Hamlet,
all of the characters possess great influence over Hamlet and his mentality in
grand scheme of things. However, there is far more perplexity and mystery
regarding Hamlet’s character because his soul is so complex and his mentality
is often deeply inscrutable during the course of the play. Hamlet’s
multifaceted character slowly unravels from Act to Act, but as these multiple
dimensions to his character are slowly exposed, it only yields more questions
instead of answers. It is very difficult to precisely conceive Hamlet’s real
nature and individuality because it is often masked by deception, facades, and
feigned sanity (or so we are led to believe). Nonetheless, it is fascinating to
examine Hamlet’s dark, cynical, sarcastic, insecure, and clever character from
various perspectives that can all be rendered true in solely based on interpretation
and scrutiny.
At first, Hamlet is completely dejected and woeful after he
learns of his father’s untimely death. Even from his very first words in the
play, when he says “a little more than kin and less than kind” (1.2.67), Shakespeare
intentionally emphasizes Hamlet’s isolation and forlorn character by making his
first line an aside. Immediately, we are presented with Hamlet’s deep-rooted
seclusion that continually manifests itself throughout the play. Additionally,
Hamlet expresses his desolate sentiments towards his mother, clarifying that “‘tis
not alone [his] inky cloak…that can denote [him] truly. These indeed “seem,” /
For they are actions that a man might play” (1.2.80-87). These powerful lines
profoundly encompass the essence of Hamlet’s character in a nutshell. The
recurring notions of acting versus being, appearance versus reality, and “is-ing”
versus seeming are all portrayed within some of Hamlet’s first words in the
entire play. This excerpt also exemplifies Hamlet’s keen and astute
understanding of the world around him, as he always relies on insight to perpetrate
the truth.
Moreover, Hamlet is highly adept at manipulating and
adjusting language in such a witty and intricate manner that is practically
incomprehensible by any other less-intelligent character. This aspect of Hamlet’s
personality is central to his character’s progression throughout the play, as
he once again, further distances himself from others due to his proficient and
adept understanding of words, and his remarkably rich vocabulary. However, his vast
understanding of language could also be the source of his demise, since Hamlet
constantly feels constrained by his own decisiveness and judgment that essentially
hinder him from committing the rightful deed of avenging his father. Although Hamlet’s
wits are a defense mechanism, they are also an encumbrance and a nuisance to
his burning rage and ambitions. His intelligence and essentially his mind are
ironically a burden to his soul, because Hamlet is innately compelled to ponder
every situation in excess, which causes him to fall into a state of stagnation
and immobility in regards to his intended actions.
Similarly, Hamlet can be considered an existentialist, as he
believes that only actions have the ability to create man (and man has no
essence), but he perpetually questions his existence and purpose in life. This
is an especially prevalent concept in Hamlet’s “to be or not to be” speech, in
which he truly ruminates and contemplates the core of existentialism and what
it means “to be.” This speech is by far, Hamlet’s most pivotal and meaningful
soliloquys in the whole play, and his question of human existence truly
embodies the whole essence of his character. Hamlet is conflicted in his
thoughts as he questions “To be or not to be—that is the question: / Whether ‘tis
nobler in the mind to suffer…Or to take arms against a sea of troubles”
(3.1.64-67), which makes me wonder, is this Hamlet’s tragic flaw? Or is this
Hamlet’s madness emerging? Also, is Hamlet in fact a hero or a coward in the
end?
No comments:
Post a Comment